![]() ![]() We know that he dedicated the book to Susan and that he credits her being the inspiration. We know that he wrote two messages to Susan: one in the initial letter, and the other in the email that we wrote. We know that he finally finished a book and that a publisher agreed to publish it. One thing I notice about the movie is that we know virtually nothing about Edward in the most recent time line. In fact, I think Tom Ford leaves a strong clue that Edward didn’t necessarily intend Tony to be his exact copy since his letter to Susan states that this book is “different than the kind of things that I was writing when we were together.” Similarly, we see that the same actor plays both Tony and Edward-but is that what Edward intended, or is that because that’s how Susan visualizes Tony? Perhaps Susan visualizes Tony that way based on how Edward’s past work (which apparently featured himself as the main protagonist in an obvious way). But the movie doesn’t give us much clues on whether Edward wrote them as being red haired or if Susan is visualizing them that way because of her past with Edward. For example, we see Tony’s wife and daughter as being red haired. So if she is seeing the same character in both real life and her visualization, it suggests that everything we see is filtered through Susan’s eyes. I initially thought it was a stupid scene until I realized that the jump scare “villain” is also Ray. ![]() There is various evidence of this including that jump scare. While I suppose one could disagree, the movie suggests we are watching Susan’s visualization of what Edward wrote. ![]() ![]() One factor we must consider here is that we-as the viewer-do not have the luxury of actually reading what Edward wrote. I don’t know if I agree with the interpretation that Edward sought some kind of revenge against Susan. Latest Discussions Mission Impossible Dead Reckoning Part One Indiana Jones and the Dial of Destiny Transformers: Rise of the Beasts Patrick Wilson & James Wan
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